Rainbow Serpent - Rashguard women
Rainbow Serpent - Rashguard women
- Hand Made To Order
- Sustainable and Ethical
- Above-market contribution to artists
• 82% polyester, 18% spandex
• Very soft four-way stretch fabric that stretches and recovers on the cross and lengthwise grains
• Fitted design
• UPF 50+
• Comfortable longer body and sleeves
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Fabric
Fabric
Please be aware that when purchasing multiple items from Milpali's collection to create a set, there may be slight variations in the prints. This is because each print is derived from original artwork. The unique nature of these artworks means that items with the same print might not match exactly, as they may feature different zoom levels or sections of the painting.
Fit
Fit
Care
Care
Wash cold before first use.
Rinse after use.
Cold gentle machine wash separately or hand wash with lukewarm water using mild detergent.
Dry in the shade.
Avoid abrasive materials on fabric
Fulfilment and delivery
Fulfilment and delivery
It takes 2–5 business days to print, cut, sew, inspect and pack your order.
Typical delivery timeframe after packing is 1 week for Europe and USA, and 2 weeks for Australia.
Please refer to estimated delivery date above
Exchange
Exchange
Milpali is a no-inventory, no-waste small business, which means that all products are unique and produced only once ordered. This is in line with our mission to minimize waste and avoid our products ending up in landfill. Please work with us and refrain from ordering more products that you intend to keep.
We offer exchanges for eligible items within 30 days of the date of purchase.
Please note that the cost of shipping the item back to us for an exchange is the customer's responsibility.
Source
Source
We collaborate with ethical production partners in South America and Europe that we personally assessed and vetted for the state of their facilities, the code of conduct they apply, the feedback from employees, and application of fair wages; amongst many other factors.
Based on our research and expertise in manufacturing, crafting garments in the same country where the fabric originates is a more sustainable approach, minimising waste. This holds true when the facilities uphold sustainable manufacturing standards.
For a deeper understanding or any queries, please feel free to reach out.
About wearing art
About wearing art
The artists we collaborate with are excited to share their art more widely through our collections. Most of them reached out to us directly to request a collaboration with us. We have put in place a strong collaborative process to ensure their art is respectfully placed on each garment. Wear it and share it proudly!
The Original Artwork: Ngayuku Ngura (my country)
The artist has painted their impression of ngayuku ngura (my country). Kapi tjukurla are the water holes represented by circles. By their very nature waterholes also mark sites related to the Creation Ancestors’ journeys across the country; the ‘dreaming tracks’ followed by countless generations of Anangu since. They created landforms and customs to be passed on and maintained over subsequent generations. The sites are linked through inma or ceremony - the singing, dancing and body painting which reveals the laws of nature and provides a blueprint for life and a guiding map of country.
In paintings such as this one, Anangu share, celebrate, and pass on the Tjukurpa and the links it forms with their country and kin.
This painting depicts Veronica's country with the animal and plans and various places. It also hides the story of her great-grandfather as he tries to spear Wanampi who is just about to jump into the splashing water. Above her ancestor, she depicts his Nangkari powers. Her paintings are complex stories in an explosion of colour.
Meet the Artist: Veronica Reid
Veronica is an artist who is part of Maruku Arts, an Aboriginal-owned social enterprise, not-for-profit artists’ collective based at Uluru, NT Australia. They are quite unique as they receive no recurrent funding from Government. Their charter is to PRESERVE, PROTECT and PROMOTE the traditional Culture practiced by the Anangu people who live in Central Australia, and to alleviate poverty through art and cultural education. Maruku has been in operation for 35 years, guided by an Anangu Board.